I think it’s a comment about Malaysia and how they some places express/represent themselves. A good example is when I went to the “Country Barn Pub” in KL with my dad, and saw a place decked out as if it were a ‘country barn’, wooden interiors, swing doors, wheels and faux candle lit. But then these interiors are then decorated with Chinese lanterns (because it’s Chinese New Year), TV’s on mute with Malaysian politicians speaking, chinese/Indian singing Tom Jones covers, and exit/enter signs in malay. This is what is conjured whtn I see LKY’s works, culture clashes, super tacky, and a healthy dose of humour.

Would consider an invitation to collaborate with a text for a publication associated with a specific exhibition project in Mexico City’s MuAC?

I sincerely hope you can contact me very soon:
guillermo.santamarina@muac.unam.mx

best.

i do not apologize for my mental regurgitations,
it is my way of reminding my poor self of my
spiritual poverty.

all the same, i have high respect for ky,s work

latif kamaluddin