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	<title>Arteri &#187; contemporary dance</title>
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	<link>http://www.arterimalaysia.com</link>
	<description>Following Art Wherever It Goes &#124; Sama-sama Ikut Seni</description>
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		<title>Dance Film Dance: Musings on the Intermedia</title>
		<link>http://www.arterimalaysia.com/2010/11/11/dance-film-dance-musings-on-the-intermedia/</link>
		<comments>http://www.arterimalaysia.com/2010/11/11/dance-film-dance-musings-on-the-intermedia/#comments</comments>
		<pubDate>Thu, 11 Nov 2010 09:48:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[interdisciplinary]]></category>
		<category><![CDATA[Multi-Media]]></category>
		<category><![CDATA[Singapore]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=8773</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2010/11/11/dance-film-dance-musings-on-the-intermedia/><img src=http://www.arterimalaysia.com/wp-content/uploads/2010/11/hokkaido-550x273.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>A review of Daniel K's 'Hokkaido (Or Something Like That) at this year’s da:ns festival, Esplanade Theatre Studio, Singapore. ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2010/11/11/dance-film-dance-musings-on-the-intermedia/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Musings on Malaysian Blackface</title>
		<link>http://www.arterimalaysia.com/2010/02/12/musings-on-malaysian-blackface/</link>
		<comments>http://www.arterimalaysia.com/2010/02/12/musings-on-malaysian-blackface/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 03:00:42 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[creation of meaning]]></category>
		<category><![CDATA[darkness]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=6582</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2010/02/12/musings-on-malaysian-blackface/><img src=http://www.arterimalaysia.com/wp-content/uploads/2010/02/jeanm.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>In America the use of blackface is cringe-worthy and condemned. In Malaysia it pops up everywhere...but what does it mean?]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2010/02/12/musings-on-malaysian-blackface/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Swinging Wildly In All Sorts of Directions</title>
		<link>http://www.arterimalaysia.com/2009/10/15/swinging-wildly-in-all-sorts-of-directions/</link>
		<comments>http://www.arterimalaysia.com/2009/10/15/swinging-wildly-in-all-sorts-of-directions/#comments</comments>
		<pubDate>Thu, 15 Oct 2009 01:00:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Profiles]]></category>
		<category><![CDATA[ASWARA]]></category>
		<category><![CDATA[balletbase]]></category>
		<category><![CDATA[bilqis hijjas]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[mydance alliance]]></category>
		<category><![CDATA[rimbun dahan]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=4714</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/10/15/swinging-wildly-in-all-sorts-of-directions/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/10/pekanbaru-480x321.jpg class=imgtfe hspace=7 align=left width=150  border=0></a><b>Interview with Bilqis Hijjas:</b> Who else should we approach for a more qualified primer on the state of contemporary dance in Malaysia?
]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/10/15/swinging-wildly-in-all-sorts-of-directions/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>“We knew we wanted to dance together”</title>
		<link>http://www.arterimalaysia.com/2009/09/05/%e2%80%9cwe-knew-we-wanted-to-dance-together%e2%80%9d/</link>
		<comments>http://www.arterimalaysia.com/2009/09/05/%e2%80%9cwe-knew-we-wanted-to-dance-together%e2%80%9d/#comments</comments>
		<pubDate>Sat, 05 Sep 2009 05:48:35 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=4339</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/09/05/%e2%80%9cwe-knew-we-wanted-to-dance-together%e2%80%9d/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/09/duod_06sm.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Bilqis Hijjas

<strong>Review: Evolving Motion's <i>Duod</i></strong>

Sometimes it is enough just to revel in the joyousness of two dexterous bodies at play. With Cathy Seago &#038; Rosalind Noctor, there was an element of watching the cavorting of sea lions or dolphins -- if dolphins were familiar with fractal theory.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/09/05/%e2%80%9cwe-knew-we-wanted-to-dance-together%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A contradiction in terms</title>
		<link>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/</link>
		<comments>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/#comments</comments>
		<pubDate>Sat, 30 May 2009 11:32:39 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[musical]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2400</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/siddhartha-0051.gif class=imgtfe hspace=7 align=left width=150  border=0></a>by Bilqis Hijjas

This is a musical of how Prince Siddhartha became the Buddha -- a figure whose contribution to humankind, according to the musical, was to teach them to turn away from transient and material happiness, towards more eternal themes. But when his tale of modesty is told with all the pomp and circumstance that can possibly be mustered, doesn't the term "Buddhist musical" seem an oxymoron?]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>How Clean Is Your Toilet!</title>
		<link>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/</link>
		<comments>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/#comments</comments>
		<pubDate>Sat, 30 May 2009 05:57:08 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[creation of meaning]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2380</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/><img src=http://kldancewatch.wordpress.com/files/2009/05/toilet51.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Bilqis Hijjas

On the way to see director Loh Kok Man's new version of his work now entitled Toilet, I was expecting lots of grit and grime, blood and guts all over the walls, grotesquerie and grimness. What I found was altogether different: light polished vignettes, all scrubbed and disinfected. And while I enjoyed the production in the end, I couldn't help feeling that something was missing.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Saturday Outing: Rimbun Dahan + Lost Gen Space</title>
		<link>http://www.arterimalaysia.com/2009/05/21/saturday-outing/</link>
		<comments>http://www.arterimalaysia.com/2009/05/21/saturday-outing/#comments</comments>
		<pubDate>Thu, 21 May 2009 02:30:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2072</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/21/saturday-outing/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/banner_vertical.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by ARTERI

It's almost unreal that the Klang Valley art scene has been buzzing with activities non-stop for the past month. You'd think that as we enter into what is described as the worst recession since the Depression that programmes would have been scaled down or decommissioned altogether.
]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/21/saturday-outing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Back and Forth</title>
		<link>http://www.arterimalaysia.com/2009/05/09/back-and-forth/</link>
		<comments>http://www.arterimalaysia.com/2009/05/09/back-and-forth/#comments</comments>
		<pubDate>Sat, 09 May 2009 07:51:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[annexe]]></category>
		<category><![CDATA[art + politics]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Malaysia]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1679</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/09/back-and-forth/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/marion1-515x341.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Simon Soon

Marion D'Cruz's lecture performance takes a new generation of arts supporters back into the heyday of theatre/dance/visual art/literary/education collaboration, reliving the Five Arts recipe that was borne from a sincere drive towards a multidisciplinary approach in art practice.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/09/back-and-forth/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>Wait until it comes out on video</title>
		<link>http://www.arterimalaysia.com/2009/04/30/wait-until-it-comes-out-on-video/</link>
		<comments>http://www.arterimalaysia.com/2009/04/30/wait-until-it-comes-out-on-video/#comments</comments>
		<pubDate>Thu, 30 Apr 2009 14:15:14 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[annexe]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Malaysia]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1526</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/30/wait-until-it-comes-out-on-video/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/light81-386x580.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Bilqis Hijjas

Most dance productions have to be seen in person. No video, no matter how accurately captured and carefully edited, can compare with the ability of the human eye to encompass the width of the stage in one instant, then hone in to focus on the swivel of an eyeball in the next. That said, there are a few occasions when watching a dance production in person is so frustrating and uncomfortable that a video comes as a welcome blessing. ”Seven Skins’ at the launch of The Light Show at the Annexe Central Market was one such instance.
]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/04/30/wait-until-it-comes-out-on-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Light Show opening night: with Photo Gallery</title>
		<link>http://www.arterimalaysia.com/2009/04/24/the-light-show-opening-night-with-photo-gallery/</link>
		<comments>http://www.arterimalaysia.com/2009/04/24/the-light-show-opening-night-with-photo-gallery/#comments</comments>
		<pubDate>Fri, 24 Apr 2009 06:10:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[annexe]]></category>
		<category><![CDATA[art + design]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[photo gallery]]></category>
		<category><![CDATA[sculpture]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1311</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/24/the-light-show-opening-night-with-photo-gallery/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/light1-150x150.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Sharon Chin

Of all the openings I've been to (including my own), the one for The Light Show at Annexe Gallery last Thursday stands out as truly memorable. It was was the first time I'd seen so many people at an exhibition opening, ever. The energy in the air was palpable. It seemed like all the worlds of KL's design, art, architecture and performance communities had converged in one place. It was awesome.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/04/24/the-light-show-opening-night-with-photo-gallery/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
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