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	<title>Arteri &#187; film</title>
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	<link>http://www.arterimalaysia.com</link>
	<description>Following Art Wherever It Goes &#124; Sama-sama Ikut Seni</description>
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		<title>Palestine Film Week 2-5 December</title>
		<link>http://www.arterimalaysia.com/2009/12/03/palestine-film-week-2-5-december/</link>
		<comments>http://www.arterimalaysia.com/2009/12/03/palestine-film-week-2-5-december/#comments</comments>
		<pubDate>Thu, 03 Dec 2009 02:23:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysian Social Research Institute]]></category>
		<category><![CDATA[Palestine]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=5798</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/12/03/palestine-film-week-2-5-december/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/12/palestine.gif class=imgtfe hspace=7 align=left width=150  border=0></a>BY ARTERI

An exciting programme is lined up for  <b>Palestine Film Week</b> that is being jointly presented by the Malaysian Social Research Institute, Amnesty International Malaysia, Help University College and Kelab Seni Filem Negara. 
]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/12/03/palestine-film-week-2-5-december/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Can’t get more Singaporean than that</title>
		<link>http://www.arterimalaysia.com/2009/08/20/well-you-can%e2%80%99t-get-more-singaporean-than-that/</link>
		<comments>http://www.arterimalaysia.com/2009/08/20/well-you-can%e2%80%99t-get-more-singaporean-than-that/#comments</comments>
		<pubDate>Thu, 20 Aug 2009 07:31:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[brian gothong tan]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[invisible children]]></category>
		<category><![CDATA[Singapore]]></category>
		<category><![CDATA[Zhao Wei Films]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=4068</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/08/20/well-you-can%e2%80%99t-get-more-singaporean-than-that/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/08/invischn-1-480x319.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>By June Yap

After watching visual artist Brian Gothong Tan’s first foray into feature film-making, <b><I>Invisible Children (2008)</i></b>, it took a while for me to pin down exactly what I felt about the work - a ordinary sensation, but remarkable nonetheless.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/08/20/well-you-can%e2%80%99t-get-more-singaporean-than-that/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>The Storyteller</title>
		<link>http://www.arterimalaysia.com/2009/07/26/the-storyteller/</link>
		<comments>http://www.arterimalaysia.com/2009/07/26/the-storyteller/#comments</comments>
		<pubDate>Sun, 26 Jul 2009 05:42:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[art + politics]]></category>
		<category><![CDATA[creation of meaning]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[obituary]]></category>
		<category><![CDATA[pioneer]]></category>
		<category><![CDATA[worry]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=3595</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/07/26/the-storyteller/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/07/3039027598_94090b3b1d_o.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Zedeck Siew

<b>Obituary: Yasmin Ahmad, 1958 - 2009</b>

The dreamer, her films I didn't like, and why we will miss her.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/07/26/the-storyteller/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Gadoh! &#8211; Sepak, pukul lalu berlakon sampai muhibbah</title>
		<link>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/</link>
		<comments>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/#comments</comments>
		<pubDate>Fri, 05 Jun 2009 10:38:21 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[art + politics]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[perkauman]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2563</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/06/gadohbanner.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>oleh Yin Shao Loong

Kebelakangan ini, kita telah menyaksikan pergadohan hangat di laman ini. Tapi untuk mereka yang kurang minat bergadoh 'seni', bolehlah anda rilek dengan menonton filem baru Nam Ron dan Brenda Danker - Gadoh. Filem ini tidak dapat ditonton di pawagam awam, cuma di teater HELP sahaja, kerana topiknya menyentuh pergadohan perkauman di sekolah kebangsaan Malaysia.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Costume Cuts: Thoughts on Fashion and Film</title>
		<link>http://www.arterimalaysia.com/2009/06/05/costume-cuts-thoughts-on-fashion-and-film/</link>
		<comments>http://www.arterimalaysia.com/2009/06/05/costume-cuts-thoughts-on-fashion-and-film/#comments</comments>
		<pubDate>Fri, 05 Jun 2009 02:39:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[film]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1381</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/06/05/costume-cuts-thoughts-on-fashion-and-film/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/06/revolutionaryroad1.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Fashionaddict

I watched "Revolutionary Road" recently, and found myself distracted by the clothes, which were beautiful (along with the cinematography actually). I can never decide if this is a good thing. Is it too much of a distraction from the film itself, or does it enhance the whole movie-going experience?]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/06/05/costume-cuts-thoughts-on-fashion-and-film/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Sense and Censorbility</title>
		<link>http://www.arterimalaysia.com/2009/05/31/sense-and-censorbility/</link>
		<comments>http://www.arterimalaysia.com/2009/05/31/sense-and-censorbility/#comments</comments>
		<pubDate>Thu, 30 Apr 2009 16:03:31 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[film]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2436</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/31/sense-and-censorbility/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/image-20090331-vf8v4bkvuzxtop7o5n2f_t_h480.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Zahirah Suhaimi

The recent controversy sparked by Chinese film, City of Life and Death by director Lu Chuan, has compelled me to mull over the challenges with establishing a universally accepted perception and use of the freedom of expression. In allowing alternative views and creative opinions, can we ever find a way to manage the precarious balance between censorship and sensitivity?]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/31/sense-and-censorbility/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Podcast: Bernard Chauly on Muzium Lampu</title>
		<link>http://www.arterimalaysia.com/2009/05/23/bernard-chauly-interview-podcast/</link>
		<comments>http://www.arterimalaysia.com/2009/05/23/bernard-chauly-interview-podcast/#comments</comments>
		<pubDate>Sat, 23 May 2009 09:35:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Highlights]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[art + life]]></category>
		<category><![CDATA[conceptual art]]></category>
		<category><![CDATA[cooking]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[podcast]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2102</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/23/bernard-chauly-interview-podcast/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/bchauly_8-515x386.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>By Nazim Esa

Bernard Chauly's cross-cultural approach to his artistic discourse spans across theater, film, television and now, the visual arts; in this podcast interview, he talks about love, his work in the recent Light Show 2009 exhibition, and cooking!

Now with nifty photographic visuals!]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/23/bernard-chauly-interview-podcast/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.arterimalaysia.com/wp-content/uploads/2009/05/chauly-interview-mp3-podcast40.mp3" length="7196954" type="audio/mpeg" />
		</item>
		<item>
		<title>Thoughts on viewing Malaysian Gods</title>
		<link>http://www.arterimalaysia.com/2009/04/28/thoughts-on-viewing-malaysian-gods/</link>
		<comments>http://www.arterimalaysia.com/2009/04/28/thoughts-on-viewing-malaysian-gods/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 16:09:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[art + politics]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysia]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1437</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/28/thoughts-on-viewing-malaysian-gods/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/mgdstill02.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Yin Shao Loong

Amir Muhammad’s Malaysian Gods (MG) offers an amalgam of two strands of Malaysian life. The first being a history of the genesis of Malaysian reformasi relayed in English text. The second is interviews in Tamil or Tamil creole with a variety of Tamil speakers. Like an amalgam these two strands have different properties but are nonetheless juxtaposed in the hopes of exerting a useful effect on each other. Street politics is matched with life from the streets. ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/04/28/thoughts-on-viewing-malaysian-gods/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Chris Chong Chan Fui + Ho Tzu-Nyen selected for Cannes&#8217;s Directors&#8217; Fortnight and other line-ups</title>
		<link>http://www.arterimalaysia.com/2009/04/25/chris-chong-chan-fui-ho-tzu-nyen-selected-for-canness-directors-fortnight/</link>
		<comments>http://www.arterimalaysia.com/2009/04/25/chris-chong-chan-fui-ho-tzu-nyen-selected-for-canness-directors-fortnight/#comments</comments>
		<pubDate>Sat, 25 Apr 2009 02:49:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[Singapore]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1404</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/25/chris-chong-chan-fui-ho-tzu-nyen-selected-for-canness-directors-fortnight/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/betik.jpeg class=imgtfe hspace=7 align=left width=150  border=0></a>by ARTERI

Two Southeast Asian new media artists + filmmakers' debut feature films will be screened at this year's Cannes's Directors' Fortnight. Sabah-born Chris Chong's elegiac KARAOKE will be the first Malaysian feature film in 14 years to be screened on the Directors' Fortnight platform, while Singapore makes its fifth year of consecutive presence in the Cannes Film Festival with Ho Tzu-Nyen's poignantly surreal feature, HERE.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/04/25/chris-chong-chan-fui-ho-tzu-nyen-selected-for-canness-directors-fortnight/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Some Notes on Talentime</title>
		<link>http://www.arterimalaysia.com/2009/04/16/some-notes-on-talentime/</link>
		<comments>http://www.arterimalaysia.com/2009/04/16/some-notes-on-talentime/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 02:18:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[kampung]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[yasmin ahmad]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1149</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/16/some-notes-on-talentime/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/talentime-226x300.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Simon Soon

- Increasingly apparent in the developing body of films by Yasmin Ahmad are the formal homages she consistently pays to Yasujiro Ozu. The opening sequence of Talentime, a colourful loose collection of stories centred around a Talentime contest set in a non-descript small town secondary school, is composed of artfully arranged 'pillow shots', sequences of still images that serves as emotional resting points as well as entry points into Yasmin's cinematic vision.]]></description>
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		<slash:comments>31</slash:comments>
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