by Haseena Abdul Majid

There is a quiet sense of resignation to reality and dissatisfaction with chaos in Haslin Ismail’s recent exhibition Exorcismus Persona at RA Fine Arts. His surrealist approach covers various mediums, from painting, assemblage, mixed media, installations and handmade books.

by Bilqis Hijjas

On rainy Sunday afternoons, KLPac seems like a warm glowing hub of humanity in a gray wet world. In the cafe, tables of friends laugh and clink their glasses of wine. Upstairs an orchestra is practicing – the sound of their brass and drums filters down to the foyer. A waiter with a trolley of beer clatters past. People filter in for the matinee in Pentas 2, chattering and twirling their wet umbrellas.

by Bernice Chauly

This series of ink drawings called Metamorphosis was created in the freezing winter month of November 1987 in Winnipeg, Canada. I was studying TESL and English Literature at the U of W and was then living in a house on Walnut Street (we dubbed it the Nut House) as it comprised of painter Robert Reimer, jewellery artist Aliza Amihude, her boyfriend Doug, Elena Feldman, a fellow writer whose name fails me, artist Tim Bremser and myself. This is the only series of drawings I’ve ever produced.