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	<title>Arteri &#187; review</title>
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	<link>http://www.arterimalaysia.com</link>
	<description>Following Art Wherever It Goes &#124; Sama-sama Ikut Seni</description>
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		<title>Sometimes the past is the future</title>
		<link>http://www.arterimalaysia.com/2009/07/22/sometimes-the-past-is-the-future/</link>
		<comments>http://www.arterimalaysia.com/2009/07/22/sometimes-the-past-is-the-future/#comments</comments>
		<pubDate>Wed, 22 Jul 2009 15:11:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Al Cruz]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[art scene]]></category>
		<category><![CDATA[conceptual art]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[non-curated exhibition]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[richard koh]]></category>
		<category><![CDATA[the philippines]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=3502</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/07/22/sometimes-the-past-is-the-future/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/07/four-chairs.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Suraya Warden

<b>Exhibition Review</b>: Within eleven works of art, in a small space, under fluorescent lighting can be held vision, talent and active potential. Al Cruz at Richard Koh Fine Art. ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/07/22/sometimes-the-past-is-the-future/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The world Is Here To Be Shared</title>
		<link>http://www.arterimalaysia.com/2009/07/22/the-world-is-here-to-be-shared/</link>
		<comments>http://www.arterimalaysia.com/2009/07/22/the-world-is-here-to-be-shared/#comments</comments>
		<pubDate>Tue, 21 Jul 2009 16:31:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[art scene]]></category>
		<category><![CDATA[Chin Kong Yee]]></category>
		<category><![CDATA[commercial gallery]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[curated exhibition]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Wei-Ling Gallery]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=3462</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/07/22/the-world-is-here-to-be-shared/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/07/1-480x417.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Suraya Warden

<b>Exhibition Review</b>: With Chin Kon Yee: Reality in Wonderland, Wei-Ling Gallery continues its current winning streak of solo shows.  ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/07/22/the-world-is-here-to-be-shared/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Bangkok: Healing @ SOL Gallery</title>
		<link>http://www.arterimalaysia.com/2009/06/07/bangkok-healing-sol-gallery/</link>
		<comments>http://www.arterimalaysia.com/2009/06/07/bangkok-healing-sol-gallery/#comments</comments>
		<pubDate>Sat, 06 Jun 2009 16:02:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[accupuncture]]></category>
		<category><![CDATA[conceptual art]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[thailand]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2634</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/06/07/bangkok-healing-sol-gallery/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/06/lme_7659-388x580.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Tunyaporn Hongtong

They say the boundary between art and psychosis is a very thin line. Sometimes, the line is so thin that it starts to blur and enables both artists and psychopaths to traffic unhindered. ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/06/07/bangkok-healing-sol-gallery/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Gadoh! &#8211; Sepak, pukul lalu berlakon sampai muhibbah</title>
		<link>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/</link>
		<comments>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/#comments</comments>
		<pubDate>Fri, 05 Jun 2009 10:38:21 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[art + politics]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[perkauman]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2563</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/06/gadohbanner.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>oleh Yin Shao Loong

Kebelakangan ini, kita telah menyaksikan pergadohan hangat di laman ini. Tapi untuk mereka yang kurang minat bergadoh 'seni', bolehlah anda rilek dengan menonton filem baru Nam Ron dan Brenda Danker - Gadoh. Filem ini tidak dapat ditonton di pawagam awam, cuma di teater HELP sahaja, kerana topiknya menyentuh pergadohan perkauman di sekolah kebangsaan Malaysia.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/06/05/gadoh-sepak-pukul-lalu-berlakon-sampai-muhibbah/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>The Rainbow Warrior</title>
		<link>http://www.arterimalaysia.com/2009/06/03/the-rainbow-warrior/</link>
		<comments>http://www.arterimalaysia.com/2009/06/03/the-rainbow-warrior/#comments</comments>
		<pubDate>Wed, 03 Jun 2009 03:01:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[chandan]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2533</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/06/03/the-rainbow-warrior/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/06/rainbow-warrior-ii.jpg class=imgtfe hspace=7 align=left height=150  border=0></a>by Yusuf Martin

Since Rafiee Abdul Ghani’s early works - Ingatan dari Gunung (Memory of Mountains -1985) and Green Park 4 (1993), an insightful care and concern for nature’s milieu has been self evident within the artist’s works.
]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/06/03/the-rainbow-warrior/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>A contradiction in terms</title>
		<link>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/</link>
		<comments>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/#comments</comments>
		<pubDate>Sat, 30 May 2009 11:32:39 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[musical]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2400</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/siddhartha-0051.gif class=imgtfe hspace=7 align=left width=150  border=0></a>by Bilqis Hijjas

This is a musical of how Prince Siddhartha became the Buddha -- a figure whose contribution to humankind, according to the musical, was to teach them to turn away from transient and material happiness, towards more eternal themes. But when his tale of modesty is told with all the pomp and circumstance that can possibly be mustered, doesn't the term "Buddhist musical" seem an oxymoron?]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/30/a-contradiction-in-terms/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>How Clean Is Your Toilet!</title>
		<link>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/</link>
		<comments>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/#comments</comments>
		<pubDate>Sat, 30 May 2009 05:57:08 +0000</pubDate>
		<dc:creator>editorial</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[creation of meaning]]></category>
		<category><![CDATA[Malaysia]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=2380</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/><img src=http://kldancewatch.wordpress.com/files/2009/05/toilet51.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Bilqis Hijjas

On the way to see director Loh Kok Man's new version of his work now entitled Toilet, I was expecting lots of grit and grime, blood and guts all over the walls, grotesquerie and grimness. What I found was altogether different: light polished vignettes, all scrubbed and disinfected. And while I enjoyed the production in the end, I couldn't help feeling that something was missing.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/30/how-clean-is-your-toilet/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>World&#8217;s Ends: Jovian Lim&#8217;s Voyage</title>
		<link>http://www.arterimalaysia.com/2009/05/08/worlds-ends-jovian-lims-voyages/</link>
		<comments>http://www.arterimalaysia.com/2009/05/08/worlds-ends-jovian-lims-voyages/#comments</comments>
		<pubDate>Fri, 08 May 2009 11:39:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[creation of meaning]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Singapore]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=1663</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/05/08/worlds-ends-jovian-lims-voyages/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/05/thegale1.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Simon Soon

The Voyage To The Ends Of The World is an internalisation of the mythical heroic journey (think Joseph Campbell's idea of the monomyth), using the photographic medium to convey the emotional weight associated with an abstract passage towards self discovery. ]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/05/08/worlds-ends-jovian-lims-voyages/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Boy, A Guitar, A Comic</title>
		<link>http://www.arterimalaysia.com/2009/04/09/a-boy-a-guitar-a-comic/</link>
		<comments>http://www.arterimalaysia.com/2009/04/09/a-boy-a-guitar-a-comic/#comments</comments>
		<pubDate>Thu, 09 Apr 2009 02:59:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[malay retro rock]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Valentine Willie]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=960</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/09/a-boy-a-guitar-a-comic/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/04/masa-masa-indah-300x211.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Yusuf Martin

There is an image refusing to leave my head. It’s of a youth, guitar in hand, kampung serenading. This iconic image, for me, represents all that is Malaysian, the serenity of idyll, the incumbent artistic muse and preponderance to nostalgia.]]></description>
		<wfw:commentRss>http://www.arterimalaysia.com/2009/04/09/a-boy-a-guitar-a-comic/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Trace of Violence</title>
		<link>http://www.arterimalaysia.com/2009/04/01/a-trace-of-violence/</link>
		<comments>http://www.arterimalaysia.com/2009/04/01/a-trace-of-violence/#comments</comments>
		<pubDate>Tue, 31 Mar 2009 16:01:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Cemeti Art House]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[wayang]]></category>

		<guid isPermaLink="false">http://www.arterimalaysia.com/?p=734</guid>
		<description><![CDATA[<a href=http://www.arterimalaysia.com/2009/04/01/a-trace-of-violence/><img src=http://www.arterimalaysia.com/wp-content/uploads/2009/03/img_4844-150x150.jpg class=imgtfe hspace=7 align=left width=150  border=0></a>by Simon Soon

On view now in Cemeti Art House, Jogjakarta, is Eko Nugroho's spell-binding foray into the world of wayang (shadow puppetry),  exploring a centuries-old performance medium that functions both as popular entertainment and as a form of culturally sacrosanct art in his ever expanding body of experimentation with different representational formats. ]]></description>
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		<slash:comments>0</slash:comments>
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